K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Susie Tharu is a professor in the Department of Cultural Studies, EFL University, and a founder member of Anveshi, Research Centre for Women's Studies, Hyderabad. She is the author of several influ
Sanjay Ruparelia is Assistant Professor of Politics at the New School for Social Research, New York. His publications include Divided We Govern: Coalition Politics in Modern India (2015) and Unders
Very little is known about the two secretaries of the embassy sent by Tipu Sultan to Constantinople, Khwaja Abdul Qadir, who wrote the Waqai-i Manazil-i Rum, and Sayyid Jafar.
