Tejaswini Niranjana

Tejaswini Niranjana
Tejaswini Niranjana is currently Professor and Head, Department of Cultural Studies, Lingnan University, Hong Kong, and Visiting Professor with the School of Arts and Sciences, Ahmedabad University, India. She is the author of Siting Translation: History, Post-structuralism and the Colonial Context and Mobilizing India: Women, Music and Migration between India and Trinidad. Among her edited volumes is Genealogies of the Asian Present: Situating Inter-Asia Cultural Studies, with Wang Xiaoming. Her collection of essays in Chinese, Nationalism Refigured, was re-issued in 2019.
- Musicophilia in MumbaiINR 695
This book tracks the place of Hindustani or north Indian music in Mumbai in the long twentieth century, as the city moves from being a seat of British colonial government built on the profits of th...

Ramendra Nath Nandi
Ramendra Nath Nandi, former Professor of History, Patna University and a familiar name in early Indic Studies, is known for his critical appraisal of misinformed perceptions in certain prevalent wr

Siobhan Lambert-Hurley
Siobhan Lambert-Hurley is Senior Lecturer in Modern History at Nottingham Trent University in the United Kingdom. Her research focuses on women, gender and Islam in South Asia with a particular em

OlÍvia Carolino Pires
OlÍvia Carolino Pires works for the federal government in Brazil. She co-ordinates the Brazil Popular Project and the National Directorate of the Popular Brazil Movement. Olivia teaches at the Flo

Angelo Costa Silveira
Angelo Costa Silveira is a conservation architect of Goan origin based in Lisbon, Portugal.

Ola Johansson
Ola Johansson is Associate Professor in Contemporary Performance Practice at the Centre for Research into Creation in the Performing Arts (ResCen), Middlesex University (UK). He has specialized in

Sirpa Tenhunen
Sirpa Tenhunen is an academy research fellow at the Academy of Finland and the Department of Social and Cultural Anthropology, University of Helsinki.

Harold R. Isaacs
Harold R. Isaacs was a writer and long-time student of Chinese affairs. The Tragedy, his first book, was based largely on long-hidden original historical documents and has been recognized for many